Monday, September 17, 2018

Liked on YouTube: Emotions and Meisner Acting - Charlie Sandlan - Call (917) 789-1599

Emotions and Meisner Acting - Charlie Sandlan - Call (917) 789-1599
Emotions and Acting - http://www.maggieflaniganstudio.com/meisner-acting/actors-struggle-emotions-acting Emotions and Meisner Acting - Maggie Flanigan Studio Call (917) 789-1599 Charlie Sandlan is the head of acting at the Maggie Flanigan Studio. Here in this video, Charlie discusses why many actors struggle with emotions in their acting. Emotion, as it pertains to acting can be very elusive, and a misunderstood part of the art form. A big problem that many aspiring actors have is that they don’t possess an instrument that is pliable and vulnerable enough to access the full gamut of human emotion. Also, most actors misunderstand emotion in acting, often falsely believing that quantity is more important than quality. So actors struggle, often their entire careers, trying to figure out how to bring more depth to their work. How can you be more vulnerable? How can you find the ease to allow for a simple, fluid emotional life? How can you connect emotionally not only to text but the other actors on stage/on set? These are the problems that actors confront when dealing with emotion. It can be frustrating to read a scene, and understand the emotional arc of the character and the depth of the experience intellectually but struggle to bring that forth in your behavior. If the actor is not vulnerable, the emotional connection can get blocked. Breath is vital in an actor’s ability to process deep, rich experience. The problem for those of you that want to be genuinely open and available in the imaginary world is that the parenting, socialization, and education that you have endured has built up walls that keep you protected and safe. These are all important to be a well-functioning adult but are a detriment if you want to be an emotionally sensitive actor. An actor must chip away at these defenses, so that your empathy, your humanity, and your vulnerability can come to the surface. I have found the Meisner Technique, created by Sandy Meisner in the 1930’s, to be the most effective way to accomplish this. Emotions and Meisner Acting - Charlie Sandlan - Call (917) 789-1599 Learn more about the actor training and the acting programs that the studio provides, which are based on the principles of the Meisner Technique. Actors who are interested in applying for admission to the studio can call 917-789-1599 to learn more about the admission process. #meisnertechnique #meisneracting #actingteacher Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 +1 917-789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/oxqqExybwL32 https://plus.google.com/112291205845820496849 acting classes NYC, acting classes in NYC, maggie flanigan studio, actors, maggie flanigan, Meisner technique training, Meisner technique, Meisner training, Meisner, Meisner work, Meisner acting, Meisner acting classes, acting conservatory, best acting studio in NYC
via YouTube https://youtu.be/PyUZZ81gjcs

Liked on YouTube: New York Acting Programs - Devin Fuller - Call (917) 789-1599

New York Acting Programs - Devin Fuller - Call (917) 789-1599
New York Acting Programs - http://www.maggieflaniganstudio.com/actingprograms/ Best New York Acting Programs - Maggie Flanigan Studio Call (917) 789-1599 The Maggie Flanigan Studio New York acting programs train actors based on the Meisner Technique, created by Sanford Meisner. Devin Fuller, a first year student in the acting program, talks about what he thought actor training was when he first started studying at the studio. Q: Devin, what did you think about to train as an actor before you started the two-year program at Maggie Flanigan Studio? A: I think when I was starting out I thought that actor training was something that you could do and was probably helpful, but I thought, “Not everyone necessarily needs to train because I've heard stories about people who become successful without going to training programs.” I thought for me, I could show up and learn on set, and I could learn from experience, but I think ultimately what I've learned is that there’s this level of technique that you don't necessarily get just from experience. It does help for someone to train you and to learn from somebody because you can only get so far, I think, on your own. It helps to have a teacher. Q: What did you think or what did you know about the Meisner Technique before you started your first year here? A: I had taken a couple of classes before that dabbled in Meisner, nothing super advanced though. All I knew about it was repetition involved. I didn't see the process too much beyond some fundamental things about it. All I knew was that I knew some people who had trained in the Meisner Technique and they were outstanding. I was like, “I want to learn what this is about,” so here I am. [laughs] Q: Now that you've finished the full first year of the two-year program, how has your understanding of the Meisner Technique changed? A: I've learned it’s very-- It lets you get into a part of yourself that you might not know you have. I feel like before when I didn't have as much of an understanding of technique; I would show up then think, "Okay, how would this character feel?" I didn't really-- It was not in a particular way. I just felt along and tried to see what works. A lot of times, maybe it did work, other times it didn't, I got feedback. Now that I've trained a little bit, I've learned that having some structure to how you're approaching acting is very helpful. This technique is good at getting you out of your head and focusing on what the other person is doing. It's less about yourself. I've learned so much about reacting to people and understanding and also letting my true emotional response come out. There is a difference between being acting angry and being angry, acting sad and feeling sad. It's like night and day once you realize that. It's been a great experience, and I've learned a lot. New York Acting Programs - Devin Fuller - Call (917) 789-1599 Learn more about Meisner acting and professional actor training at the Maggie Flanigan Studio, by visiting the acting programs and acting classes page on the studio website, or by calling the studio during studio business hours at 917-789-1599. #actingprograms #meisnertechnique #actingclasses Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 (917) 789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/JTA9n7oHbNT2 acting classes NYC, acting classes in NYC, maggie flanigan studio, actors, maggie flanigan, Meisner technique training, Meisner technique, Meisner training, Meisner, Meisner work, Meisner acting, Meisner acting classes, acting conservatory, best acting studio in NYC
via YouTube https://youtu.be/WRnRXncnBZ8

Liked on YouTube: Forcing Emotions - Maggie Flanigan Studio - Call (917) 789-1599

Forcing Emotions - Maggie Flanigan Studio - Call (917) 789-1599
Forcing Emotions - http://www.maggieflaniganstudio.com/ Reiki for Actors - Maggie Flanigan Studio - Call (917) 789-1599 Laura Pensiero teaches Reiki classes for actors at the Maggie Flanigan Studio. In this video, Laura discusses the problems that actors face when forcing their emotions. One of the most significant challenges actors face is accessing their emotions with ease and authenticity. Often, when the actor has a scene that requires an emotional outburst, the initial instinct is to force the emotions. When the actor forces crying or anger, it feels inauthentic to the audience. The reason the actor tries to manipulate emotions into existence is for fear the emotions will not come naturally. This creates a lot of tension and tightness around the emotional life and makes the body look uneasy and uncomfortable. The throat gets strained, the muscles in the face clench and the actor stops breathing. When the actor stops breathing, they completely disconnect from their emotions. The result and what the audience sees is “bad acting.” What the actor needs is to remain relaxed, open and free of physical, emotional and mental tension. It can be confusing and counter-intuitive for the actor to maintain a relaxed body during a heightened emotional scene. It is crucial for the body, and emotional life to be tension free for the acting to be believable and engaging. Learn more about Laura Pensiero, the acting classes and acting programs at the Maggie Flanigan Studio by visiting our studio website at URL. Prospective students can call the studio during open hours with specific questions about our acting programs and class schedule. Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 (917) 789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/JTA9n7oHbNT2
via YouTube https://youtu.be/pemz_mUWBVY

Liked on YouTube: Consistent Acting and the Meisner Technique - Charlie Sandlan - Call (917) 789-1599

Consistent Acting and the Meisner Technique - Charlie Sandlan - Call (917) 789-1599
Acting with Consistency - http://www.maggieflaniganstudio.com/meisner-technique/acting-consistency/ Why Actors Struggle with Consistency - Maggie Flanigan Studio - Call 9177891599 Charlie Sandlan teaches in the acting programs at the Maggie Flanigan Studio. In this video, Charlie discusses why many actors have trouble being consistent in their acting. Maybe you can relate to this as an actor. You do a scene may be in a play or class, or perhaps you're on set, and something magical happens. You're out of your head. You're on your spontaneous impulses. You're fully emotionally alive. Something happened, and the director calls cut. You walk off stage, and you feel like you've been hit by a Mack truck. Then you say yourself, "How can I do that again?" and you don't know how. It's lost in the ether. That could be very frustrating, because you've got a sense of what it feels like to be present, but you don't know how to do it. The reason why you don't know how to do that consistently is because you don't have craft or a real technique that gives you a way of working, that's going to support you every single time you grab material, whether going in for an audition, you're going into rehearsal, going on set. You need to learn how to craft. It is essential. I think that the Meisner technique that was created by Sandy Meisner in 1930s is the most brilliant way to instill actors with fundamental skill. You've got to be able to get the attention off of yourself onto the other person or onto what you're doing. You've got to know how to listen, how to hear intently, how to go from anticipated moment to unanticipated moment. You need to be able to be surprised in every moment about what's being said to you, about what's happening to you at the moment, being played upon and changed by a notion of being. You need to know how to answer some particular questions. You need to know how to respond and pin down very individually and personally with the previous circumstances what the acting relationship is, what's your objective. You need to know how to do actions. Those all ultimately need to be second nature. Then you need an instrument that is open and pliable, that's capable of processing emotion that will allow your empathy, your humanity, your vulnerability to be able to operate. When you have that instilled in you, when you have a craft, when you have something that is just second nature to how you work as an artist, then those fleeting moments of being alive on stage or camera become consistent. Learn more about Charlie Sandlan and the acting programs and acting classes at the Maggie Flanigan Studio by visiting the studio website or calling the studio front desk at 917-789-1599. Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 (917) 789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/JTA9n7oHbNT2 acting classes NYC, acting classes in NYC, maggie flanigan studio, actors, maggie flanigan, Meisner technique training, Meisner technique, Meisner training, Meisner, Meisner work, Meisner acting, Meisner acting classes, acting conservatory, best acting studio in NYC
via YouTube https://youtu.be/LBGSuqEb2aQ

Liked on YouTube: Acting Programs New York NY - Elise Tollefsen Interview - Maggie Flanigan Studio

Acting Programs New York NY - Elise Tollefsen Interview - Maggie Flanigan Studio
Best Acting Programs New York NY - http://www.maggieflaniganstudio.com/actingprograms/ Acting Programs New York NY - Maggie Flanigan Studio Call (917) 789-1599 Elise Tollefsen is an actor studying in the two-year acting program at Maggie Flanigan Studio. During this interview, Elise talks about starting at the studio with the Meisner Intensive and what the first year of the two year Meisner acting program has been like. Q: Jared, what did you think you’re meant to train as an actor before you started the two year’s program at Maggie Flanigan studio? A: Where do I begin? What I think is it was not as extensive and as elaborate as to when I exited the program after the first year. My perspective has changed completely. You watch films and these great actors they do fantastic work, and you think man, it looks so easy I can do it, and then you start to put in the work and see what it takes to get to that point, and it changes everything, your outlook on it. Before this school I didn't-- I had no clue of what I was signing myself up for and how much work it takes to be an outstanding actor. Q: What happened during the first year that changed your perspective on acting training? A: Just the guidance. With the whole staff and everybody affiliated with Maggie Flanigan is just always on point and always willing to help and ready to push you further than you even think that you can go. I can attest and appreciate how they push you and how they get you out of your shell. That to me was the biggest thing, the atmosphere and being in that school atmosphere again really getting your blood boiling to want to accomplish more and get better as an actor as you move forward. Q: How has the community of students like you mentioned helped you through this first year whether it was the people in your acting class who also take voice and movement, how would you describe the community of students here at Maggie Flanigan studio and what that adds to the experience? A: I think it is the whole experience. Acting is, other than one man show if you're not willing to do it by yourself very often. It takes that community to make it what it is really. As I said, I hadn't been in a school setting in a very long time, so this to me was very nice to be a part of that community again and on a daily basis be around other people who are as driven as you or more driven or equally as talented or much more talented. That's all perspective, but it challenges you and pushes you on a daily basis to like I said want to be a better actor and put more effort into this craft. Q: What did you learn about yourself over the course of this first year that was a surprise or that changed you? A: It was a surprise that I could be a lot more vulnerable than I previously thought I could. Maybe not from a man’s perspective but being vulnerable how I grew up was very difficult, hard to express yourself. I've always held a lot of things in and didn't put them out there. What this taught me was not to be afraid to be vulnerable and put yourself out there and to make choices and make risky decisions even though you don't know how the outcome is going to come or be. That was big for me opening that up and exploring who I was. I could say right now who I was ten months ago, 11 months ago to who I am today is could be entirely a different person when you look back. I'm excited for the growth that I've already seen in a single year, and I'm excited to see how much I could indeed grow going forward. Elise Tollefsen Interview - Acting Programs New York NY - Maggie Flanigan Studio Learn more about the Meisner Intensive and the acting programs at the Maggie Flanigan Studio on the acting programs page on the studio website, or by calling the studio during business hours at (917) 789-1599 with specific questions. #actingprogramsnewyork #meisnertechnique #actingstudionewyork Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 (917) 789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/JTA9n7oHbNT2 acting programs New York NY, acting studio New York NY, Meisner technique, Elise Tollefsen
via YouTube https://youtu.be/eEMHS_jbtc4

Liked on YouTube: Best Meisner Training - Julia Gu Interview - Maggie Flanigan Studio - Call (917) 789-1599

Best Meisner Training - Julia Gu Interview - Maggie Flanigan Studio - Call (917) 789-1599
Meisner Training - http://www.maggieflaniganstudio.com/ Best Meisner Training - Maggie Flanigan Studio - Call (917) 789-1599 The two-year acting program at the Maggie Flanigan Studio introduces professional actors to the Meisner technique. First-year acting program student Julia Gu, talks about coming to the studio without having any experience with the Meisner technique. Q: Julia, why did you decide to study at Maggie Flanigan studio? A: I started acting training without an acting technique. I went to voice class with the Linklater technique and then, also when to take client classes. Then, the teachers feel like as a talent, I’m too raw, regarding I don't have acting technique. Then, they recommended- both teachers recommended Maggie Flanigan at the same time. They think, Charlie's tough and sets a high bar in terms acting technique. The studio overall has a high level of integrity when it comes to training actors. They both tell me I will be in good hands coming here. That's why I am here. Q: What did you think the Meisner technique was before you came to the studio since you didn't have any experience with it before? A: I’m Chinese, I don't see a lot about American acting masters. I know several guys trained based on the method-- Q: Stanislavski. A: Stanislavski. They are like Lee Strasberg, Stella Adler, and then Sandy Meisner. I thought Sandy Meisner was the guy who does repetition, that's all I know. Repetition. I thought the truth would come up during the repetition exercise. Q: Now, you've finished your first year, and you've done a whole year of the Meisner work, the entire first year, what do you think the Meisner technique is now? How has this word changed your understanding beyond the repetition? A: To be honest, I just finished one year. I don't know the whole thing- how the entire thing is, but I would say repetition was indeed a minimal amount of the beginning. It's not what the whole thing is about. Right now, my understanding is more like being specific in each aspect of acting regarding our emotional lives, concerning our relationship with other people in the play, our daydream, what happened. We have to create that daydream as specific as possible to form the reality when we're acting. That's where I am right now. That’s here may change. Q: I’m sure it will. What did you learn about yourself during this year- this first year of the Meisner technique that was a surprise or that changed you? A: I think, the first is about learning about ourselves and something surprised me is how much my family plays a considerable weight in my life. That surprised me; I did not expect to feel so much emotion. My emotional life is very much connected to my family. Serious actors who are interested in applying for admission to the acting programs at the Maggie Flanigan Studio in New York, can learn more about the studio by going to the acting programs and acting classes page or by calling the studio at 917-789-1599 with specific questions about the acting classes and acting programs. #meisnertraining #actingprograms #maggieflaniganstudio Best Meisner Training - Julia Gu Interview - Maggie Flanigan Studio - Call (917) 789-1599 Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 (917) 789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/JTA9n7oHbNT2 acting classes NYC, acting classes in NYC, maggie flanigan studio, actors, maggie flanigan, Meisner technique training, Meisner technique, Meisner training, Meisner, Meisner work, Meisner acting, Meisner acting classes, acting conservatory, best acting studio in NYC
via YouTube https://youtu.be/llBQpcjh8Kw

Liked on YouTube: New York Acting Programs - Stephanie Leiva Interview - Maggie Flanigan Studio

New York Acting Programs - Stephanie Leiva Interview - Maggie Flanigan Studio
New York Acting Programs - http://wp.me/p1cCX9-2Fj Maggie Flanigan Studio - Call (917) 789-1599 The Maggie Flanigan Studio has the reputation as being one of the best actor training programs in New York and the U.S. Stephanie Leiva, in this interview, talks with Katie about the Meisner training during her first year in the program, and why she decided to train at Maggie Flanigan Studio instead of the many other acting studios in New York. Q: Stephanie, what did you think the Meisner technique was before you started training at Maggie Flanigan Studio? A: I didn't have too much of a concrete idea of what Meisner was. I went to Rutgers, and I studied theater there, so I knew that it was about listening and responding and finding your point of view and being truthful, but I had a pretty vague idea. I just knew from my friends, they were like, "If you want to do acting, you're perfect for Meisner,” so I looked into studios for Meisner and found this one. Q: Now that you're done with your first year, what do you think the Meisner technique is now? A: Meisner is about being yourself from your point of view, from being as truthful as you can, from really listening to your partner, really taking it in and responding from your point of view. Q: Now that you’ve finished the first year, what did you learn about yourself during this year that was a surprise or that changed you? A: What changed for me this year is I started off from a very defensive place. Instead of taking in and letting things affect me, I would go, and I would attack. I was very defensive, and Charlie helped me transition to starting to stand up for myself. There's such a big difference between being defensive and standing up for yourself, and I built confidence to hold my ground. Q: What did you learn this year about work ethic or what it takes to be an actor? A: It takes so much to be an actor. My time is consumed with my classes and the work that I have to do. I'm too consumed with my rehearsal and my crafting and my activity and my scenes and my lines. I’m constantly thinking about this. There's never a dull moment. You have to be obsessed with this work. If you're not obsessed with your creativity, if you don't have your imagination flowing all the time, you need to get it flowing. New York Acting Programs - Stephanie Leiva Interview - Maggie Flanigan Studio Learn more about the training and acting programs at the Maggie Flanigan Studio by visiting the studio website operating programs page. Actors who are interested in applying for admission should call the studio with questions about enrollment by calling (917) 789-1599. Maggie Flanigan Studio 153 W 27th St #803 New York, New York 10001 +1 917-789-1599 http://www.maggieflaniganstudio.com/ https://goo.gl/maps/oxqqExybwL32 https://plus.google.com/112291205845820496849 acting programs new york, acting classes new york, acting studio new york, Meisner technique, Maggie Flanigan Studio, Stephanie Leiva
via YouTube https://youtu.be/SdJzWXLxJJE